We take a look at Monk’s approach to rhythmic displacement, chord voicing and his unique style of comping. The progression in the first 8 bars is quite standard : I – iii – VI – ii – V (no resolution here, half-cadence). It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. Both approach the root by [m7-3-R], but the second one descends to the root instead of going up. # theloniousmonk # candy His head rolls back until hat brim meets collar, while with both hands he twists his goatee into a sharp black scabbard. Monk's unique piano style and his talent as a composer made >him a leader in the development of modern jazz. I can dig the rhythm better.” The media had a tendency to report on his bizarre habits more frequently than his musical endeavors. Monk ends the A-section on a V7/V chord, which projects the movement to the B-section beginning on  Bb minor. Thelonious Monk San Francisco Holiday . One of the most influential pianists of the twentieth century, Thelonious Monk had a idiosyncratic improvisational style and made numerous contributions to the standard jazz repertoire. Thelonious Monk is one of the greatest jazz musicians of all time and one of first creators of modern jazz and bebop. Many of his compositions, which were generally written in the 12-bar blues or the 32-bar ballad form, became jazz standards. His playing experience developed into a compositional tool. Thelonious Monk Timeline 1917. He was an absolute master of the AABA form. Empty staves and chord symbols have been added to make up a full chorus. Monk’s artistic vision was very strong. The progression is Bm7- E7 – Bbm7 – Eb7. Sign up for my FREE E-book "7 Ways to Become a Better Pop/Jazz Pianist" today! Thelonious Monk was born on October 10, 1917 in Rocky Mount, North Carolina. Orrin Keepnews, from an interview on, Main Theme from “Angry Birds” (Popular mobile game from Rovio), Sway (Quein Sera) [Re-popularized by Michael Buble], The Rainbow Connection (from “The Muppet Movie”). This line shows B-alt. As played by Monk, the theme soon turn into a paraphrase/improvisation. It’s also evident in the melody of ‘Straight, No Chaser,’ and the rhythm in ‘Blue Monk.’. The first cuts, from a '59 show at New York City's Town Hall, feature extremely energetic performances on three of Monk's best known pieces: "In Walked Bud," "Blue Monk" and "Rhythm-a-Ning" (with a tremendous tenor sax solo by Charlie Rouse, fragmented, lyrical keyboard essays by Monk and a fine, layered solo by beatkeeper Arthur Taylor). Although the quality of the chords don’t remain consistent with the key signature, the consistent perfect fourth root motion holds it together. Steve from Ontario, Canada, has a Canadian mono copy of CL 2038 Thelonious Monk – Criss Cross. He directly contributed to the evolution of bebop, as well as influenced the development of free jazz, and the contributed additions to the standard jazz repertoire. In a Columbia recording from February 1965, Monk’s solo sounds very earthy and primitive because of all the roots, thirds, and fifths he plays. The harmonic rhythm speeds up and starts to move in half notes in measures 4-6. He made no distinction between seriousness and humor in his musical statements, and critics easily dismissed him. We see the Eb major again in measure 21, beats 3 & 4. His playing was so unique and so self-contained that many jazz musicians and listeners didn’t  know what to make of it. Thelonious Monk’s timeless music and image will be “jettisoned into the technological future - as the inspiration for Crawford’s trademarked portrait style, that … A brother, Thomas, was born in January 1920. Because it is so difficult to choose one solo that is representative of Monk’s playing and compositional style I have chosen several different pieces and elements of his playing to demonstrate. Why it’s daunting: The brilliant but troubled bebop pioneer and jazz pianist-composer Thelonious Monk has never been easy to understand. Measures 15 &16 seem like inserted bonus material, delaying the measures we were expecting. SuperRare is a blockchain based marketplace to collect and trade unique, single-edition digital artworks. The A-section has short, 3 note riffs consisting of eighth notes, beginning each bit with a staccato note. So complicated are some of Monk’s space-filled, harmonically advanced compositions that very few musicians are able to truly represent them. His head rolls back until hat brim meets collar, while with both hands he twists his goatee into a sharp black scabbard. There is a segment of the intro melody that bares a striking resemblance to Dizzy Gillespie’s solo in ‘I Can’t Get Started.’ (Ken Burns Jazz Series, track 4, 2:38). Thelonious Monk ; Thelonious Monk View Profile See their activity. This first Monk lick features a nice double-stop (B-C) in the first bar that is characteristic of Monk’s … Thelonious Monk >Along with Charlie Parker and Dizzy Gillespie [1], Thelonious Monk >(1917-1982) was a vital member of the jazz revolution which took place in >the early 1940s. “…he would rise from the piano to perform his Monkish dance. It is always the same. This was the first real experimentation Monk conducted, playing with chordal and rh-c structures. During his time with Blue Note, Monk recorded a host of titles for Prestige including Thelonious Monk Plays and Sonny Rollins and Thelonious Monk. 9 . Orrin Keepnews, from an interview on NPR explains, “…the problem that musicians had, right along with me, is that this was incredibly difficult music and Monk was a man who I believe sincerely did not understand that it was difficult music.”. Next, there is a repetitive lick in the second bar that outlines the Bb7 chord in that part of the phrase. Great records to check out are At Carnegie Hall, Brilliant Corners, Thelonious Monk With John Coltrane, Solo Monk and Underground. ✊Empower Yourself & Play Better Piano Today!???????? With a melody built entirely upon the interval of a sixth, this blues head is extremely … Evidence, In Walked Bud, Monk's composition, Monk's piano, Monk's style, Round Midnight, Thelonious Monk, Well You Needn't. It exploits those same complexities found in his music to create a perfect blend of fresh ginger, almonds and the health benefits of each to create a brittle that will complement your palate in the same way that jazz feeds your soul. These include Evidence, Blue Monk, Well You Needn’t, Ask Me Now and ‘Round Midnight. While Parker and Gillespie liked to hear these types of chord sequences as background for their solos, Monk seems to have taken Tatum’s approach to another level. Monk composed this well-known jazz ballad when he was in his teens. Thelonious Monk was born October 10, 1917 in Rocky Mount, North Carolina, the son of Thelonious and Barbara Monk, two years after his sister Marion. B:          A7   Bb7   B7   Bb7   A7   Ab7   G7   Gb7, B-alt:     Eb7   E9   Eb9  D9   Db9  C9   B9    C7. This repeats twice then continues down. Most of his career Monk worked as a leader, usually in quartet settings, but he also recorded solo piano, trios and even big band. In measure 8, things stabilize: the root and melody note are the same, emphasizing the resolution. Save my name, email, and website in this browser for the next time I comment. In 1955, Prestige sold his contract to Riverside where he released Plays the Music of Duke Ellington to appease the label. Shout-Outs from Piano Riffers Around the Globe, My Roland E-12 Intelligent Keyboard Giveaway, Before you click away, Remember to Grab a Copy of My FREE e-book "7 Ways to Become A Better Pop/Jazz Pianist"! Here Monk takes on an entire album of Ellington standards foregoing any of his own classic compositions in homage to the great man! User Ratings (0) Your Rating. Thelonious Monk is always mentioned with Charlie Parker and Dizzy Gillespie as a founder of modern jazz, but Monk’s style is not at all like the other musicians of his time. In measure 15 the Db7 leads to the C7 (V in F-minor), creating a turnaround back to the A- section. The tune was initially titled "Classified Information", but he opted to retitle it as "Worry Later", when recording it for the first time on April 29, 1960, for the album Thelonious Monk at the Blackhawk. See index. Thelonious Monk’s incredible career saw him pioneer a uniquely percussive approach to the piano and write several jazz standards. Keeping the orignial pattern and continuing up to F would have worked fine spacially though. Monk’s piano style, with its crunchy dissonances, forceful attack, open spaces, and off-kilter rhythms, has deeply imprinted itself both on pianists and on other instrumentalists and vocalists. The B-section then uses the missing end scraps from A2 as the beginning of the bridge, except that the first two beats have shifted rhythm. There is a tritone sub for the II7 so that the bass line can descend chromatically. In the B-section, the melody strikes on the upbeat of beat 4, which gives the tune a feeling of anticipation. His composition, pianism, improvisation and Many bebop players of Monk’s time were playing fast, smooth rhythms, trying to fit in the maximum number of notes. Try playing through a number of them and you will begin to get a stronger sense of his melodic, rhythmic and harmonic conception. In the A-section, there are many accented upbeats and tied notes. Sign up for a copy of my F.R.E.E. Thelonious Monk Quartet with John Coltrane at Carnegie Hall (1957, released 2005) A live album that lay gathering dust in the ‘Voice Of America‘ vaults until its rediscovery and release in 2005, this is a glorious document of Monk’s short-lived quartet with John Coltrane. 1 Measures 1 and 3 are in natural minor, whereas measure 2 and 4 are in melodic minor: Fm (I in natural minor) – Fm/M (I in melodic minor) – Fm7 (I in natural minor), Bb7 (IV in melodic minor) Eb7 (IV7 in melodic minor) – Ab6 (III in natural minor/I in relative major). AllMusic Rating. Mostly self taught, Monk played church organ while touring with an evangelist and in … “Straight no Chaser” is most often played in the key of F. Its very closely related to the standard jazz blues so learn that progression first. Recognized as one of the most original musicians in American history, Thelonious Sphere Monk fashioned a startlingly unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation. The pattern repeats in measures 15-16. Misterioso. Monk’s music was known for its humorous, almost playful, quality. When it appeared on the album Monk in Italy, it finally appeared under the title "San Francisco Holiday", which Monk named after his family's long stay in San Francisco. As simple as 1-2-3! Monk never spoke to his audience and rarely granted interviews—he preferred to let his music speak for itself. Even though he released several solo albums, each one meriting particular attention, “Solo Monk” arguably stands tall as his very best unaccompanied album. The version I have included is based on his 1947 Blue Note recording, as transcribed by Lionel Grigson. Some people speculate that a reason for his sour harmonies are a result of early attempts at playing stride when his hands were still too small to hit a clean octave. During interviews he seemed aloof and would often go for days without speaking to a soul. After hours joints like Minton’s Playhouse in Harlem were the laboratories of … His eyes are hooded with an abstract sleepiness, his lips are pursed in a meditative O,” describes Barry Farrell in his 1964, Monk didn’t give much instruction or direction to his band, and musicians sometimes had a hard time following. Monk was also an important figure in jazz composition and his songs became an important part of the jazz repertoire. Copyright © 2021 | MH Purity lite WordPress Theme by MH Themes, During gigs, Monk often got up and danced while the rest of the band was playing. Measure 8 and 9 are a ii-V-I turnaround in F-natural minor. His feet stir in a soft shuffle, spinning him slowly in small circles. It is always the same. His unique improvisational style as well as his compositions have influenced almost every jazz musician since. Monk seems to be exploring the diatonic chords within F-melodic minor as well as F-natural minor in the A-section. All this creates a floating, slightly disorienting feel, yet still maintains a consistent song structure. If you listen to jazz, you are familiar with the work of Thelonious Monk.Famous for his style in both music and wardrobe, the American pianist and composer is the second most recorded jazz artist after Duke Ellington.If you consider that Ellington composed more than 1,000 pieces of music and Monk wrote about 70, it says a lot about the enduring power of this composer’s works. The melody of the B-section is ascending chromatically. This ii V I line, featuring only chords from the tonic major key this time, uses two common Monk techniques in its construction. It took nearly a generation for Monk’s more obscure pieces to become a regular part of jazz repertoire. Movement:  ascending and descending chromatically. date: 1947 style: Thelonious Monk form: 36-bar AABA (the bridge and the last A section are 10, rather than 8, bars long) personnel: Idrees Sulieman, trumpet; Danny Quebec West, alto sax; Billy Smith, tenor sax; Thelonious Monk, piano; Gene Ramey, bass; Art Blakey, drums. In trademark Thelonious style, the album went on to be his first commercial success, and yet the iconic titular track happened to be so hard to play that it couldn’t be achieved in one take. The first three measures of the A-section are simply 3-note riffs moving in oblique motion. His unorthodox approach to the piano … Thelonious Monk Timeline 1917. "Thelonious" would come full circle, appearing on Genius Volume 1, here, and on Monk's last recording (in 1972 with the Giants of Jazz). [5] In 1922, the family moved to 243 West 63rd Street, in Manhattan, New York City. Thelonious Monk’s style has been considered non-conformist, modernist, technically stilted, intentionally unconventional, even incompetent. During those years he developed his unique style of playing and composing. This creates  a looping effect, further enhanced as the repetitions get closer together. “Solo Monk”, recorded between October 31, 1964 and March 2, 1965, was Thelonious Monk’s eighth album with Columbia Records. His eyes are hooded with an abstract sleepiness, his lips are pursed in a meditative O,” describes Barry Farrell in his 1964 Time Magazine article. Each of Monk’s compositions have a personality that can be difficult for a perfomer to bring out, despite their seemingly simple qualities. He knew exactly what he wanted to play and how he wanted to play it. So complicated are some of Monk’s space-filled, harmonically advanced compositions that very few musicians are able to truly represent them. Many melodies are written creatively over blues or rhythm changes, while others are distinct originals or lyrical ballads. Overview ↓ User Reviews ↓ Credits ↓ Releases ↓ Similar Albums ↓ Share on facebook; twitter; tumblr; AllMusic Review by AllMusic. In the B-section, the harmonic rhythm slows down and changes every 2 measures as the melodic rhythm becomes more active with quarters, eighths, and sets of triplets. Margo Guryan also wrote lyrics for the tune. The rhythm seems to alternate between two contrasting feels: dreamy (due to the rolling triplets) and precise (because of the sixteenth notes on beat 2). Monk, in contrast, embraced space and simplicity in his playing and was able to outline his pieces with a minimal amount of notes. Written in the key of Eb Minor, there are 6 flats to watch out for! Another recurring pattern used is the long, lilting 32nd note runs to punctuate the phrase endings. Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Seminars, workshops, and live Q&A sessions, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. Introduction. admin With an ABV of over 9%, this strong dark ale is rich and robust. https://www.udiscovermusic.com/stories/best-thelonious-monk-pieces The sign-up form is just above on the right: 1. Keep Living the Music :). My Style Hero: Thelonious Monk – A&H Magazine. The melody in the first bar outlines a Bb-suspended chord. Measure 3 outlines an Ebm7 with an added 6. His playing sounded rough and angular in comparison to someone like his friend Bud Powell. This whole pattern occurs again at the beginning of the B-section. https://www.treblezine.com/beginners-guide-thelonious-monk-idiosyncratic-jazz This demonstrates how displacing the harmonic rhythm can completely transform the same chord pattern. Geek obsession: Thelonious Monk. This modulation provides some nice descending guide-tones. 4-Packs. When asked about it, Monk replied, “I get tired of sitting at the piano. He notes the following alterations from the recording: “1) The overlapping alto sax and trumpet phrases of the recorded intro have been replaced by a single top line, above the piano part as played. Content Count 2 Joined February 20, 2018; Last visited August 25, 2019; About Thelonious Monk. Just enter your e-mail address, 2. Further Reading: The rhythm in this piece is more song-like than the majority of Monk’s music. Choose from Jazz sheet music for such popular songs as All the Things You Are, 'Round Midnight, and Blue Monk. And then, as consistent with the pattern, the long descending runs slam into a heavy downbeat. (ex. Available in a handsome 750 ml bottle with crown and capsule finish or 12 oz. Robin D.G. He’s probably referring to the ‘Just You Just Me’ changes, whereas Monk is all over the map. This occurs again in measure 23. The chord on Measure 8 on the first ending is Gm7b5, which occurs in natural minor. 1921. This is a common technique used in songwriting that dates back as far as the Renaissance. In measure 24, beats 3 & 4, the chords could be perceived as part of Eb major or Eb melodic minor, another example of Monk blurring major and minor. His unique improvisational style as well as his compositions have influenced almost every jazz musician since. “Evidence” was sometimes called “Evidence Just Evidence,” in reference to the song “Just You Just Me” from which the A-section chord sequence was derived. Soon after that first recording session, Monk married Nellie Smith, who gave birth to his two children Barbara and T.S. In measure 11-12, the Cb appears again, but since it’s supported by a Db harmony, it’s a b7 which fits right in. Thelonious Monk Lick 3. She received her BA in jazz piano at SF State University and plays keyboards in the band Bellavista. During gigs, Monk often got up and danced while the rest of the band was playing. Leave us your email below and we will send you a full sample lesson and a PDF download. The soloists dictate the feel. It utilizes repeated rhythmic fragments which gives the listener something predictable to grab onto. Use of  both types of minor scales continues in the B-section: Fm7 (I in natural minor) — Db7 (VI in natural minor). Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. In this lesson we will take a look at pianist and composer Thelonious Monk. The melody dances around the diminished 5th interval in measures 17 and 19. Monk’s piano style, with its crunchy dissonances, forceful attack, open spaces, and off-kilter rhythms, has deeply imprinted itself both on pianists and on other instrumentalists and vocalists. Rhythmic displacement can be a very effective tool when improvising - try playing a phrase and then repeat it starting on a different beat of the bar. Monk started playing the piano at the age of six. Unusual approaches to harmony, melody, and rhythm give Monk a particular asymmetry that continues to be a heavy influence on the music scene. Monk copied Irving Berlin’s descending line on this tune, which is based on the changes of ‘Blue Skies.’, Movement: A-section utilizes element from F natural and melodic minor, B-section follows typical minor blues turnaround (bVI-V). Measure 7, beats 1 & 2 make use of unstable tritones against the root note. Thelonious Monk was born October 10, 1917, in … His most frequently played songs include ‘Round Midnight, I Mean You, Blue Monk, Straight No Chaser and Evidence. Monk is famous for his unique piano style. Monk didn’t give much instruction or direction to his band, and musicians sometimes had a hard time following. For a Monk tune, the rhythm here is considerably more straight-forward. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius". For much of his career, Monk played with small groups at … This play on compression and expansion is a common trait in his compositional style. From the origins of bebop to the soul of Modern Jazz culture, Monk was at the epicentre of these musical movements. Tonality: Primarily minor, with a parallel major tonic chord at the end of A2 and B. Thelonious Monk was born on October 10th, 1917 and died on February 17th, 1982. His performing is idiosyncratic, to say the least. referencing The Unique Thelonious Monk, LP, Album, RE, But, OJC-064, RLP-209 This is a surprisingly good pressing, not sure how it was sourced, but dead quiet. The 32nd notes blooming in the accompaniment are most likely a result of Monk’s style and skill. The melody is is primarily based on chord tones. Many of Monk's compositions contain their own challenges and idiosyncrasies. Monk uses a lot of skips in this part. Monk likes to recycle melodic material. The ‘answer’ section is carried on into the B-section. Thelonious Monk Posted on December 9, 2014 September 20, 2016 by The Style Q Someone described this man as the oldest sage on earth…but he is five years old…that’s Monk. Many players of the time would superimpose one melody over another, which engages the listener. The resolution at the end of the B-section is an Eb major chord, or a “Picardy third” even though the previous theme has been minor. Thelonious Monk was born on October 10, 1917 in Rocky Mount, North Carolina. Monk's son, T.S. measure 8). The B-section sounds more confusing than it is. Thelonious Monk composed over 70 compositions, all imbued with his distinct compositional style. A teenaged Monk studied with the great pianist and composer Mary Lou Williams, who helped guide the bebop revolution in the early 40s, of which Thelonious Monk was a key innovator. Thelonious Sphere Monk (Rocky Mount, North Carolina 10th October 1917 - Hartsdale, New York 17th February 1982) was a jazz pianist and composer. AVID Jazz presents four classic Thelonious Monk albums on a finely re-mastered and low priced double CD. Another example of this is the simplicity of Johnny Griffin’s solo. Add to Custom List. Monk might have started descending earlier in order to avoid playing an F (root) chord, which would not have had much contrast. Section-B has a lot more stepwise motion. Thelonious Thelonious Monk. Here are 10 frequently played Monk tunes to start with that will give you a solid foundation. It reveals new details about Monk… “…he would rise from the piano to perform his Monkish dance. Bbm7 – Eb7 – Ab6  (ii – V – I in the relative major, Ab). There are three repetitions of the same rhythm, always starting on the upbeat of 2 or 4, followed by a short 2-bar turnaround after. CD1 kicks off in fine style with ‘Thelonious Monk Plays The Music Of Duke Ellington’ recorded in New Jersey way back in 1955. Monk has named Duke Ellington and James P. Johnson as his influences, among others, and I have heard stories about the great Mary Lou Williams being Monk’s teacher. Thelonious Monk was one of the most revered pianists in jazz, with a peerless career that showcased his improvisational style. His soloing usually relies on motifs and is often based on the melody of the song. Poet and jazz aficionado Philip Larkin once affectionately described him as “the elephant at the keyboard”, and it’s easy to see why. The melody continues in a downward motion and contains many major and minor 6ths. (This coda may be by Gillespie rather than Monk).”. with all tritone subs, which would be more              predictable. During the 1940’s, he was a house pianist at the legendary Minton’s Playhouse. The next two measures are unique; the progression leads to a brief key change to Ab (subdominant). Along with Charlie Parker and Dizzy Gillespie, Thelonious Monk (1917-1982) was a vital member of the jazz revolution which took place in the early 1940s. Monk, is a well-known drummer who has been extremely active in establishing the Thelonious Monk Foundation in memory of his father. Mostly self taught, Monk played church organ while touring with an evangelist and in his late teens started playing jazz. Rachel Hoiem teaches children at Blue Bear School of Music. B-alt. On the ending of A2, Monk has condensed the harmonic rhythm, most likely so that he has room to resolve to Eb in measure 16. The following work is a study of the composer Thelonious Monk through his musical output. 2) The theme, taken by piano, is given as played, but th harmony parts played by trumpet and sax have been omitted. CD1 kicks off in fine style with ‘Thelonious Monk Plays The Music Of Duke Ellington’ recorded in New Jersey way back in 1955. Thelonious Crunch incorporates the unique improvisational style of Monk. Each of these titles reflected Monk’s trademark playing style, which incorporated silence and dissonance as forms of self-expression. Thelonious Monk with Sonny Rollins and Frank Foster - Monk ‎ (7xFile, MP3, RE, RM, 320) Original Jazz Classics , Prestige , Prestige , Universal Music Group International OJC-016, P-7053, LP 7053, 00888072361942 The horn line, which doesn’t have a strong sense of downbeat itself, is further affected by the accompaniment. It consisted of Jimmy Wright on tenor sax, "Massapequa" on bass, and William "Keg'' Purnell on drums. is mainly composed of tritone substitutions, but the harmonic direction changes a half measure earlier than in the original. This tune has a repetitive phrase structure. However, by what metric is his performing idiosyncratic, or, framed another way, in what ways do A 32-bar tune in AABA-form that Monk composed on New Year's Eve 1959. In addition to making the end of the B-section sound more significant, it blurs the relationship between major and minor. Thelonious Monk was one of the most revered pianists in jazz, with a peerless career that showcased his improvisational style. Passing chords are temporary stepping stones between chords, adding variety and making your playing sound more interesting & dynamic. Check your inbox for a confirmation e-mail, 3. Monk's unique piano style and his talent as a composer made him a leader in the development of modern jazz. The downbeat seems to be intentionally hidden. By using uncommon substitutions and displacing the harmonic rhythm, Monk’s chords have a sense of deliberate conflict. His badly written birth certificate misspelled his first name as "Thelious" or "Thelius". During the A-section, the ii – V progression shifts down chromatically. What is the reason for this deliberate change? E-book! He was criticized for dressing unusually, wearing strange hats, eyeglasses and topcoats (even when indoors). Your email address will not be published. Click on the confirmation link, the e-book will be sent to you as an attachment! Thelonious Monk: Life and Influences Thelonious Monk was a prolific and monumental figure in modem jazz. October 29, 2009 3) The recording finishes, oddly, with an 8-bar piano solo after the theme. Jazz For You Also interesting to note are the overall similariteies in the melodic contour and pacing of these two compositions. Add to My Collection. Bars 7 and 8 of the intro a double bass break. This piece is definitely performance based. Thelonious Monk was born October 10, 1917 in Rocky Mount, North Carolina, the son of Thelonious and Barbara Monk, two years after his sister Marion. An ‘average’ version of the melody has been added as a top line above the piano part for comparison. Monk was indeed eccentric, both in his playing and social habits. His feet stir in a soft shuffle, spinning him slowly in small circles. There is a two note riff that Monk moves up and down the keyboard. Monk plays incomplete triplets in measure 13, which makes it sound like the piano part is tripping over itself. Epitomising artistic originality, candid eccentricity and indifference to conventional rules of performance, Thelonious Monk emerged in the 1940s to become one of the high priests of bebop. All Rights Reserved. Recognized as one of the most original musicians in American history, Thelonious Sphere Monk fashioned a startlingly unique, inimitable playing and composing style that influenced virtually every succeeding jazz generation. The Bm7 and the E7 are upper embellishments of the V7 – I7 (V7 of IV). He is often regarded as one of the founders of bebop. The B-section consists of a series of descending II-V sequences. The last 2 bars of A2 are different than than A1. A brother, Thomas, was born in January 1920. Countering those who found Monk’s percussive, splay-fingered playing style untutored and crude, Juilliard-trained composer Hall Overton was among those who … Thelonious Monk is always mentioned with Charlie Parker and Dizzy Gillespie as a founder of modern jazz, but Monk’s style is not at all like the other musicians of his time. Many of Monk’s harmonic ideas were influenced by Art Tatum, whose chords were strengthened by the use of varied voicings, added notes, passing chords and substitutions. Monk's prolific compositions and improvisations are full of dissonant harmonies and angular melodic twists. those by Dizzy Gillespie, Charlie Parker, and Miles Davis.

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