Processing by: TVC Labs. As the credits roll, multiple sounds from news programs and telephone calls are played. The next shots are closer shots of cars on a highway. The sequence uses time-lapse photography of the activity of modern life. The IRE's $40,000 was exhausted after the filming, and almost two cases of film had been used. Conducted by Michael Riesman. 4. The events captured in this sequence involve people interacting with modern technology. Director of Distribution & Promotion: Mel Lawrence. It's been that everyone: politics, education, things of the financial structure, the nation state structure, language, the culture, religion, all of that exists within the host of technology. It's not that we use technology, we live technology. Reviews The first shots are traffic patterns as seen from skyscrapers at night. During post-production, Reggio was introduced to Harris' Organism (1975), which predominately features time-lapse footage of New York City streets. The opening for "The Grid" begins with slow sustained notes on brass instruments. Find Philip Glass’s whole catalogue streaming now on Apple Music. Fricke and his focus puller, Robert Hill, filmed at the airport every day for two weeks. People are shown sorting mail, sewing jeans, manufacturing televisions and doing other jobs with the use of modern technology. The film's soundtrack by Philip Glass was released in 1983, after the release of the film. The television advertisements aired during prime-time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. Camera Assistants: Robert Hill, David Brownlow, Roger McNew, Neil Bockman. Koyaanisqatsi (1982) directed by Godfrey Reggio with music by Philip Glass. The Illusionist (From the Philip Glass Recording Archive, Vol. Editing Consultant: Dennis Jakob. 9 2012 Glassworks (Expanded Edition) 2003 You May Also Like After aerial views of monumental rock formations partly drowned by the artificial Lake Powell, we see a large mining truck causing billows of black dust. 3. Copies are copies of copies. It no longer describes the world in which we live. The release features 5.1 surround sound audio and a restored digital transfer of the film in 1.85:1 aspect ratio, approved by director Godfrey Reggio. Koyaanisqatsi tab by Philip Glass. For the time-lapse footage, Fricke purchased a Mitchell camera,[16] and built a motor with an intervalometer, which was used to precisely move the camera between frames. ", "Near the day of Purification, there will be cobwebs spun back and forth in the sky. Philip Glass's Koyaanisqatsi was originally composed as a film score to the 1982 Godfrey Reggio film of the same name. [34] It was screened later that year at the Telluride Film Festival in August and at the New York Film Festival in September.[35][36]. So while I might have this or that intention in creating this film, I realize fully that any meaning or value Koyaanisqatsi might have comes exclusively from the beholder. Life out of balance. Music Director & Additional Music: Michael Hoenig. Pictures of microchips and satellite photography of metropolitan cities are shown, comparing the lay of each of them. Performed by the Philip Glass Ensemble along with a full roster of studio musicians conducted by Michael Riesman, the music director of the Philip Glass Ensemble since 1974, and produced by Glass’s longtime music producer Kurt Munkacsi. [12], Fricke and Reggio chose to shoot unscripted footage and edit it into an hour-long film. Glass's music for the film is a highly recognizable example of the minimalist school of composition, which is characterized by heavily repeated figures, simple structures, and a tonal (although not in the traditional common practice sense of the word) harmonic language. Time-lapse photography of shadows of clouds are seen moving across the skyscrapers, followed by shots of various housing projects in disrepair, including footage of the decay and demolition of the Pruitt-Igoe housing project in St. Louis. CAST: b trb, tuba, 2 hn, 3 trp, vox (6), fl, sop sax, ten sax, organ, cb, pic, va, vc. The system was powered by a gel cell battery that lasted for twelve hours, which enabled Fricke to shoot without the use of a generator. The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first-person perspective. The website's critical consensus reads "Koyaanisqatsi combines striking visuals and a brilliant score to produce a viewing experience that manages to be formally daring as well as purely entertaining. Editors: Alton Walpole, Ron Fricke. While Fricke was working in Los Angeles, he edited the footage into a 20-minute reel, but "without regard for message or political content". People eat, play, shop and work at the same speed. Dramaturge: Walter Bachauer. People walking by started posing for the camera, thinking it was a still camera, and several shots from the setup ended up in the film. It stimulates the viewer to insert their own meaning, their own value. This is followed by shots of people walking along streets in slow motion. "Koyaanisqatsi (1983) | The Criterion Collection", "Koyaanisqatsi – Life Out of Balance (1982)", Gymnázium a Hudební škola hlavního města Prahy, "What Songs Appear on the 'Watchmen' Movie Soundtrack? "[11] To produce the television commercials the IRE hired cinematographer Ron Fricke, who worked on the project for two years. Tibetan Bells: Nancy Hennings, Henry Wolff. 1982 film by Godfrey Reggio with music by Philip Glass. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. The camera stays on them until the moment when they acknowledge its presence by looking directly at it. The next image is a close-up of a Saturn V rocket during its launch (Apollo 11). Music & Effects Editor: David Rivas. We usually perceive our world, our way of living, as beautiful because there is nothing else to perceive. Koyaanisqatsi was originally released on VHS and laserdisc by Michael Nesmith's Pacific Arts Video. [8] In 2000, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, aesthetically, or historically significant".[9]. Pruitt Igoe 7. We do not live with nature any longer; we live above it, off of it as it were. [17] The time-lapse shot overlooking the freeway in Los Angeles was filmed from the top of a building through a double exposure, with ten-second delay between frames. Koyaanisqatsi is, after all, an animated object, an object in moving time, the meaning of which is up to the viewer. The music has become so popular that the Philip Glass Ensemble has toured the world, playing the music for Koyaanisqatsi live in front of the movie screen. The music builds in speed and dynamics throughout the piece's 21 minutes. Timers: Bob Hagans, Matvey Shatz. The film concludes with another shot of desert rock art similar to the image at the beginning. "[3] In the Hopi language, the word Koyaanisqatsi means "life out of balance". KOYAANISQATSI, Reggio's debut as a film director and producer, is the first film of the QATSI trilogy.The title is a Hopi Indian word meaning "life out of balance." Art has no intrinsic meaning. 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