The work is a musical depiction of a dance hall in Mexico City called "El Salón México", which, as its name implies, represents the country of Mexico, with multiple types of music played. Copland visited Mexico several times in the 1930s. It was a rare venue where rich, middle class, and poor all attended, with a famous sign, in the lower-class or "proletariat" room, where barefoot dancing was frequent, saying "Don't throw cigarette butts on the floor because the ladies will burn their feet."[4]. Trama. Salón Internacional Alta Relojería SIAR EN NÚMEROS 49. marcas en 13 años Más de 1,000 ... Es mi primera vez en el SIAR y hemos sido recibidos de una manera excepcional” CEO de Rudis Sylva. Orch. Eduardo Mata Conductor. Bignamini & Branford. When I got there, I also found a sign on the wall which said: "Please don't throw lighted cigarette butts on the floor so the ladies don't burn their feet. The piece was premiered in the U.S. on May 14, 1938 by Adrian Boult and the NBC Symphony Orchestra. Für den Musicalfilm Fiesta (1947, dt. work by Copland based on popular Mexican themes. Leonard Bernstein verglich das Tanzlokal in seiner Einführung zu dem Stück bei der Aaron Copland Birthday Party 1960 in der Konzertreihe New York Philharmonic Young People's Concerts mit dem „Roseland“ (in New York City). Leonard Bernstein created arrangements for solo piano and for two pianos, four-hands very shortly after the premiere. [3] It was a place to dance and, it was said, smelled of sweat. Era una casa vieja, acondicionada como salón de baile, y ahí se bailaba fundamentalmente el danzón, teniendo como principal protagonista musical a Acerina y su Danzonera. Diese Seite wurde zuletzt am 12. Comp. El Salón México. Über die Atmosphäre der Entstehung des Stückes merkt der Komponist an: „Perhaps my piece might never have been written if it hadn’t been for the existence of the Salón México. Detroit Symphony … The powerful refrain that appears in the piece three times stems from "El palo verde." lícula mexicana de cinema negre del 1949 dirigida per Emilio "Indio" Fernández, amb guió coescrit per Fernández i Mauricio Magdaleno. In addition, a piano transcription of the score was made by conductor Arturo Toscanini in 1942, when the Maestro included the music on an NBC broadcast concert. Jeanne Deis Cover. B. die Zeitdauer der Aufnahmen von Copland (New York Philharmonic); Toscanini usw. 4 (Jul., 1939), S. 2–4, JSTOR 943608 ↑ Toscanini, NBC 1942 auf YouTube ↑ Klangbeispiel auf YouTube And that’s what happened to Aaron Copland after his first visit to Mexico City in 1932. Directed by Paul Glickman, Tamarind King. 13 were here. El Salón México: 11:34: Rodeo: Four Dance Episodes (19:38) Buckaroo Holiday: Corral Nocturne: Saturday Night Waltz: Hoedown: Appalachian Spring (Ballet For Martha) 24:08: Credits (8) J. J. Stelmach Art Direction. Divisions between the sections are clear, as if one had walked through a doorway. Copland El salòn MèxicoToscanini NBC 1942Copland about Toscanini: www.youtube.com/watch?v=4D1XHDmq9yI Three halls: one for people dressed in your way, one for people dressed in overalls but shod, and one for the barefoot." Series: BH Piano Publisher: Boosey & Hawkes Piano Composer: Aaron Copland Editor: Leonard Bernstein. Piano; 16.95 (US) Inventory #HL 48002593 UPC: 073999178883 Publisher Code: M051280247 Width: 9.0" Length: 12.0" 16 pages. Seine Arbeit an dem Werk begann 1932, wurde aber erst 1936 fertiggestellt. The four melodies of the piece are based on sheet music he purchased during his visits. He continues to say that what he wrote, and what he knew he was writing, was a portrayal of the "visible" Mexico, to some extent the touristy Mexico. Das Werk ist bei Boosey & Hawkes erschienen. Critics have variously described the piece as containing two, three, or four parts, but many listeners find that it moves seamlessly from one theme to another with no clear internal boundaries. There was one entrance, but three doors off of it, where patrons sorted themselves by what kind of music and dances they wanted. Archiviert vom Original am 4. The peasant music is far richer rhythmically and more powerful, with a suggestion of the pre-Hispanic (Indian) in it. One place in particular captured the composer’s imagination: El Salón México. Other conductors who made recordings of El Salon Mexico include Arthur Fiedler, Eugene Ormandy, and Eduardo Mata. El Salón México fue quizá el más notable salón de baile de su tiempo en la Ciudad de México. Year 1998. El Salón México ist ein sinfonisches Orchesterwerk des US-amerikanischen Komponisten Aaron Copland (1900–1990), das ausgiebig mexikanische Volksmusik verwendet. El Salón México was first heard in the United States in a radio broadcast, with Adrian Boult leading the NBC Symphony in 1938. [1] Copland hatte bei einer Reise nach Mexiko das seinerzeit berühmte Tanzlokal El Salón México in Mexiko-Stadt besucht und danach mehrere Lieder und Tanznummern gesammelt und sie zu einem stimmungs- und abwechslungsreichen Orchesterstück umgearbeitet und arrangiert. In 2006, Paul Glickman and Tamarind King started work on an animated short film based on the Aaron Copland score. Copland completed the orchestration in 1936, and Chávez conducted the premiere in Mexico City in 1937. Mexico SO 1937. Ed Begley Engineer. Se hallaba situado a un lado del Teatro Blanquita, en la aguerrida colonia Guerrero, en un pintoresco callejón. Peter … I remember reading about it for the first time in a tourist guide book: ‘Harlem-type nightclub for the peepul [sic in the source quoted ], grand Cuban orchestra. It stars Marga López as a dance hall prostitute struggling to support her younger sister at an exclusive upscale school. The hall had murals, now lost, by Diego Rivera, Salvador Novo, Dolores Olmedo, and others. Nov 13th, 2021 8:00 pm; Nov 14th, 2021 3:00 pm. The subtitle was "A Popular Type Dance Hall in Mexico City. INSTRUMENTATION . Source for information on El Salón México: The Concise Oxford Dictionary of Music dictionary. Vgl. In 2009 "El Salón México" debuted at The Film Museum Theater in Santa Fe, New Mexico. Phillip Ramey Photography, Liner Notes. Prices and availability subject to change without notice. Das Stück wurde von vielen berühmten Dirigenten – unter ihnen Toscanini[5] – dirigiert, auch von Copland selbst, beispielsweise bei der Aaron-Copland-Geburtstagsparty der New Yorker Philharmoniker zu seinem 60. unter dem Titel: Mexikanische Nächte) wurde das Werk als Fantasia Mexicana von Johnny Green angepasst und orchestriert,[6] interpretiert von André Previn. The work contains three musical styles and goes through the series of three twice, starting each time with the upper-class music, passing through a more vigorous working-class music, and ending with the foot-stomping dance of the peasantry. The Mexico Symphony Orchestra gave the first performance under the direction of Carlos Chávez in 1937. Januar 2019. An old proverb states, “Traveling leaves you speechless, and then turns you into a storyteller. Copland visited Mexico several times in the 1930s. A contemporary guide book described it as a “Harlem type night-club” with “three halls: one for people dressed in your way, one for people dressed in overalls but shod, and one for the barefoot.” Copland noted that the book failed to mention “a guard stationed at the bottom of the steps leading to the ‘three halls’ [who] would nonchalantly frisk you as you started up the stairs just to be sure you had checked all your ‘artillery’ at the door.” He fe… Salvador Novo describe la clase de lugar que era el Salón México, en 1946: “Mientras los ricos […] se consolaban de su riqueza en nuevos cabarets elegantes, bailaban un poco, los jóvenes empezaban a bailar mucho, y a su demanda surgió la múltiple oferta de dancings que gestaría la ulterior proliferación de los cabarets baratos. Musically, the work displays beautifully Copland's populism. März 2016. Three halls: one for people dressed in your way, one for people dressed in overalls but shod, and one for the barefoot.’ When I got there, I also found a sign on the wall which said: ‘Please don’t throw lighted cigarette butts on the floor so the ladies don’t burn their feet.’, […] In some inexplicable way, while milling about in those crowded halls, one really felt a live contact with the Mexican people — the atomic sense one sometimes gets in far-off places, of suddenly knowing the essence of a people — their humanity, their separate shyness, their dignity and unique charm.“[3][4]. by composer for solo pf. Dallas Symphony Orchestra Orchestra. He said, "Never in my wildest dreams did I expect this kind of acceptance for the piece!" Die Weltpremiere fand 1937 vom Mexikanischen Sinfonieorchester unter der Leitung von Carlos Chávez statt, seine amerikanische Premiere hatte es 1938. Using Mexican melodies seemed appropriate. Upcoming Events More Events. El Salón México was premiered in Mexico City on August 27, 1937. Copland hatte Mexiko in den 1930er Jahren mehrmals besucht. I remember reading about it for the first time in a tourist guide book: "Harlem-type nightclub for the peepul [ sic in the original ], grand Cuban orchestra. El Salón Independiente de 1968 fue una exposición de arte llevada a cabo en el contexto de la Olimpiada Cultural de los Juegos Olímpicos de México 1968. En Salón México, la ruda solemnidad del cine de Emilio Fernández da paso a una sensualidad gozosa y relajada, en la que destacan las estupendas interpretaciones de Marga López, Rodolfo Acosta y Miguel Inclán y el ritmo vibrante que el director imprime a la dirección de escenas. De baile de su tiempo en la Ciudad de México musical film,. Piece are based on sheet music he purchased during his visits in a radio broadcast with. Eine für zwei Klaviere und eine vierhändige powerful, with a suggestion of the!. 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