Wherever clusters of density exist in Los Angeles, such as along the Wilshire Corridor or in Downtown, there is a plethora of 1960s and 70s exposed concrete frame towers. In a color palette of orange, red, and brown, the contrast between inside and outside roughly suggests skin versus organs. Resisting definition or prescribed use, the pieces instead demand viewers to invent their interaction with the pieces, following desire for touch and embrace. These collages explore how complexity can emerge from material difference within simple geometric patterns. Her work focuses on specificity rather than generality—how the details of an existing condition can be generative, rather than the imposition of an external system. Installed facing the lobby, the texture of the brutalist facade becomes a sensuous surface that visitors are invited to touch. Bryony Roberts Studio is leading the sociocultural analysis and community engagement aspect of this project, gathering research on the social history of the site through interviews and archival research and facilitating community workshops to develop possibilities for future programming and activation. Green/Blue. 17 - 25. Film lists and highlights from BFI Player. Dancers: Chiara Casciani, Maria Elena Curzi, Silvia Franci, Lucrezia Micheli, and Chiara PacioniPercussionist: Angela NaccariVideo editing: Jamie LansdowneVideo camera operators: Clarissa Cappellani and Raffaella AntonuttiPhotography: Claudia Pajewski, Antonio Convista, and Javier Galindo, Site-specific InstallationThe American Academy in RomeJuly 2017. There are 8 professionals named "Bryony Miller", who use LinkedIn to exchange information, ideas, and opportunities. In addition to the vinyl wall and floor graphic, the installation features a custom table that displays portfolios of past projects. Miller Prize ProjectExhibit ColumbusColumbus, Indiana Opens August 24, 2019, Winner of Best Installation of 2019 from The Architect’s Newspaper. ! Exposing the structural frames of existing and new architecture, Open Zones reveals an open field that enables connections across disparate units through expansive, luminous public space. This highlights the artificiality of the representation and its difference from the original. Age: 22 years old (in 2021) Date of Birth: May 8, 1998. Within the domestic space of the Schindler House, the piece summons the kind of personal and intimate experiences that are typically excluded from expertise in the realms of high art and architecture. Rebecca 2020. Assistants: Andrew Brookes, Zhuang Guo, Caleb Hawkins, Chris Mollica, Brian Park, Huopu ZhangMaterials generously donated by Filz Felt, Solo exhibition and research projectTexas State GalleriesSan Marcos, TXExhibition: March-April, 2019Research: 2018-ongoing. In the northern periphery, La Recyclerie exists at the threshold between gentrifying neighborhoods and public housing projects. Fabric painting by Atomic DesignSewing by RosebrandAll drawings by Bryony Roberts Studio and SO-ILPhotography by Marta Lamovsek, Collaboration with landscape architect Colleen TuiteSalut Paris competition Second Place June 2020. In between, the community bridge offers space for performances and lounging interspersed with landscaping around exposed tracks. The new datum makes the existing objects appear to rise out of a larger volume, but also maintains the original function of the bathroom. Market stalls run along the lengths of the existing platforms. This project proposes subtractions to postwar towers in Los Angeles, in order to expose the spatial possibilities of the existing structural frames and to develop an aesthetic of subtraction to rival new construction. 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